
When a pop star’s melody clashes with the White House’s immigration agenda, sparks fly, and the music industry takes note.
Story Overview
- A pop artist’s song used without permission in a controversial government video.
- The White House’s aggressive response to criticism.
- Ongoing tensions between artists and political messaging.
- Potential copyright implications and public backlash.
Unauthorized Music Use Sparks Outrage
Pop sensation Sabrina Carpenter found herself at the center of a political storm when her song “Juno” was used in a promotional video for Immigration and Customs Enforcement (ICE) raids. The 21-second clip, featuring ICE officers in pursuit, played Carpenter’s lyrics, igniting her fierce criticism and labeling the video as “evil and disgusting.” Carpenter demanded the White House to stop using her music to support what she described as an “inhumane agenda.”
LOVE IT!!
“Anyone who would defend these sick monsters must be stupid, or is it slow?”
White House Obliterates Pop Star Sabrina Carpenter After She Slams ICE https://t.co/79WFijwY0M
— divide_by_zero 🇺🇸 (@Dee_Bee_Zee_) December 3, 2025
The incident occurred during the Trump administration’s second term, which began approximately ten months prior. The administration has been noted for its aggressive immigration policies, and Carpenter’s song became an unwitting soundtrack to these controversial actions. This clash highlights the broader tension between artistic expression and political messaging, especially when artists’ works are appropriated without consent.
White House’s Confrontational Response
Rather than issuing an apology, the White House doubled down. Spokesperson Abigail Jackson responded using additional Carpenter lyrics in a statement that included personal attacks. Jackson’s message was blunt: “Here’s a Short n’ Sweet message for Sabrina Carpenter: we won’t apologize for deporting dangerous criminal illegal murderers, rapists, and pedophiles from our country. Anyone who would defend these sick monsters must be stupid, or is it slow?” This rhetoric suggests a shift from a copyright issue to a political one.
This pattern of unauthorized music use by the Trump administration isn’t new. Previous incidents involved other artists like Olivia Rodrigo and Taylor Swift. The administration’s strategy appears to involve leveraging popular culture to promote its policies, often sparking backlash from the artists whose works are used without permission.
Impact and Implications
The unauthorized use of music in political campaigns has a long history in American politics. However, the Trump administration’s repeated use of female artists’ music without permission has brought this issue into sharper focus. The incident amplifies public awareness of copyright infringement, potentially leading to legal challenges and legislative action to better protect artists’ rights.
Artists like Carpenter, Rodrigo, and Swift find themselves unwillingly associated with policies they oppose, raising ethical concerns about the use of their creative works. The White House’s approach, characterized by confrontational responses, suggests a political strategy prioritizing message control over copyright respect.
Industry and Broader Effects
This incident underscores vulnerabilities in copyright protection for musicians, particularly in rapidly evolving media landscapes like social media. Legal experts highlight the difficulties of enforcing copyright in real-time scenarios, where unauthorized use can quickly go viral. The entertainment industry may push for stronger legal frameworks to safeguard artists’ intellectual property from political appropriation.
The incident also reflects broader cultural and political dynamics. The Trump administration’s aggressive immigration enforcement policies continue to polarize public opinion, with social media serving as a battleground for supporters and critics. Artists’ resistance to unauthorized use of their music adds another layer to this complex discourse.
Sources:
Sabrina Carpenter calls White House video using her song ‘evil and disgusting’












